Beginnings, Middles, Endings: The Structure of a Narrative with Claire Keegan — Singapore, 3rd – 4th November

pixabay singapore

November 3 & 4, 2018.  9:30am–5pm, both days.
NTU, Singapore.
Tuition: €400. A 50% deposit secures.
To book your place, contact:
ckfictionclinic@yahoo.com  

 

Claire Keegan, internationally acclaimed author and fiction-writing teacher, will direct this, her most popular fiction writing course, using a novel and two short stories to demonstrate and explore the mechanics of fiction writing and narrative structure.

  1. The Great Gatsby by F. Scott Fitzgerald
  2. “The Displaced Person” by Flannery O’Connor
  3. “A Small, Good Thing” by Raymond Carver
  4. We will also refer to Jane Campion’s adaptation of Portrait of a Lady.

How do stories begin? How and why does an author make an incision in time and build tension? How is a reader drawn into a narrative? We will also explore the much-neglected middle; the trunk of the story, its denouement and turning points. And ask if endings natural: why do stories need to end, to find a place of rest? The discussion around endings will focus on falling action, emotional consequences and inevitability. Participants will also examine the differences between the short story and the novel.

This weekend will be of particular interest to those who write, teach, read or edit fiction — but anyone with an interest in how fiction or reading works is welcome to attend.

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Beginnings, Middles & Endings: How Fiction Works. 10 & 11 November – Sydney, Australia.

sydney 2

10 & 11 November 2018. 9.30am – 5:30pm.
University of Technology – Sydney, Australia.
To book, contact ckfictionclinic@yahoo.com
Tuition: $650 AUD. 50% deposit secures your place.

 

Claire Keegan, internationally acclaimed author and teacher of creative writing, will direct this, her most popular fiction writing course, using a novel and two short stories to demonstrate and explore the mechanics of fiction writing and narrative structure.

Participants will be studying:

1.  The Great Gatsby by F. Scott Fitzgerald
2. “A Misfortune” by Anton Chekhov
3. “Chef’s House” by Raymond Carver

Discussion will include the structure of a narrative, paragraph structure, desire, tension versus drama, melodrama, statement, description, suggestion, conflict, character, humour, point of view, place and time. The weekend will be of particular interest to those who write, teach, read or edit fiction — but anyone with an interest in how fiction or reading works is welcome to attend.